Praise Song for the Day
by Elizabeth Alexander
Each day we go about our business, walking past each other, catching each others' eyes or not, about to speak or speaking. All about us is noise. All about us is noise and bramble, thorn and din, each one of our ancestors on our tongues. Someone is stitching up a hem, darning a hole in a uniform, patching a tire, repairing the things in need of repair.
Someone is trying to make music somewhere with a pair of wooden spoons on an oil drum with cello, boom box, harmonica, voice.
A woman and her son wait for the bus.
A farmer considers the changing sky; A teacher says, "Take out your pencils. Begin."
We encounter each other in words, words spiny or smooth, whispered or declaimed; words to consider, reconsider.
We cross dirt roads and highways that mark the will of someone and then others who said, "I need to see what's on the other side; I know there's something better down the road."
We need to find a place where we are safe; We walk into that which we cannot yet see.
Say it plain, that many have died for this day. Sing the names of the dead who brought us here, who laid the train tracks, raised the bridges, picked the cotton and the lettuce, built brick by brick the glittering edifices they would then keep clean and work inside of.
Praise song for struggle; praise song for the day. Praise song for every hand-lettered sign; The figuring it out at kitchen tables.
Some live by "Love thy neighbor as thy self."
Others by first do no harm, or take no more than you need.
What if the mightiest word is love, love beyond marital, filial, national. Love that casts a widening pool of light. Love with no need to preempt grievance.
In today's sharp sparkle, this winter air, anything can be made, any sentence begun.
On the brink, on the brim, on the cusp -- praise song for walking forward in that light.
About Elizabeth Alexander (from her Web site):
Elizabeth Alexander is one of the most vital poets of her generation. She has published five books of poems: The Venus Hottentot (1990), Body of Life (1996), Antebellum Dream Book (2001), American Sublime (2005), which was one of three finalists for the Pulitzer Prize and was one of the American Library Association’s “Notable Books of the Year;” and, most recently, her first young adult collection (co-authored with Marilyn Nelson), Miss Crandall’s School for Young Ladies and Little Misses of Color (2008 Connecticut Book Award). Her two collections of essays are The Black Interior (2004) and Power and Possibility (2007), and her play, “Diva Studies,” was produced at the Yale School of Drama. She was born in New York City and raised in Washington, D.C.