In support of a friend's effort to stand with her union to renegotiate a fair contract, here's an article from the Los Angeles Times about an AT&T workers' protest that started last Friday, and a photo to go with it.
I was quite taken with this quote and inspired by it, but when my father called and left a message for me saying, "The first line from this quote you sent me is heavy, as a matter of fact, all of it is heavy," then I knew I had to post it. Here it is:
I will not die an unlived life. I will not live in fear of falling or catching fire. I choose to inhabit my days, to allow my living to open me, to make me less afraid, more accessible, to loosen my heart until it becomes a wing, a torch, a promise. I choose to risk my significance; to live so that which comes to me as seed goes to the next as blossom and that which comes to me as blossom, goes on as fruit.
As you can well imagine, workers for the Obama campaign have swarmed the city of Charlotte, getting ready for the Democratic National Committee convention scheduled to be held here in early September.
I got in on the action last Saturday as a volunteer for Organizing for America, a community organizing project of the Democratic National Committee. Throughout that day and for several weeks to come, volunteers will help register people to vote, as I did, throughout the city.
As a first-time volunteer, I didn’t know what to expect and just showed up ready to sign folks up so they could exercise their right to vote – no matter what party they’re affiliated with.
I met some field organizers in the Habitat for Humanity parking lot on Wendover and was sent to a major retail store in East Charlotte to ask people, who weren’t already registered to vote, to do so. My cohorts, Crystal and Sarah and I, drove to the establishment, stood outside in front of the place and went to work. What we found was that most of the people were already registered. And some weren’t eligible because of their citizenship status and other reasons.
But he wasn’t convinced and walked to his car while Jaimie signed up.
I also met a nice gentleman from my hometown of Wilmington, Delaware who was with his two adult sons. Of course, he was already registered in Delaware and couldn’t register again, but I did find out that he used to teach at my alma mater – William Penn High School!
We were at this retail store for only an hour when we realized we were being monitored from the security room of the store. Yes, that’s right – we were being WATCHED! So, as you might guess, the manager of the store sauntered out to Crystal and politely told her that we didn’t have permission to be there and had to leave. “Really?” Crystal asked. “Wow, OK, we didn’t know.” And so we left.
When we got back to the Habitat for Humanity parking lot, Crystal and Sarah joined another volunteer and walked over to some nearby retail stores to register more people, but I had to go and pick up Gigi.
So that was my first experience registering people to vote. I’m sure I’ll try it again before the summer is over.
Y’all didn’t think I was gonna let Chuck Brown’s passing go without a tribute, did ya? I might have been raised in Delaware, but look to the right and check out where I was born. Anyway, Go Go has had its admirers all up and down the East Coast and eventually, the world.
I’ve always known that Go Go has influenced music outside the D.C. area, even though it is an indigenous Chocolate City creation. But after listening to tributes paid to Brown on various radio stations, I’m even more convinced.
What I didn’t realize is how heavily some groups have used the Go Go sound —think, Beastie Boys, LL Cool J, Salt & Pepper, Kurtis Blow, Beyoncé, Jill Scott, and on and on.
Here's the way Randall Roberts of the Los Angeles Times describes Go Go: “Featuring remarkable Afro-Cuban polyrhythms via pounding congas and rototoms, punctuated bursts of brass and Brown shouting out call-and-response phrases alongside grooves that extended many songs to over eight minutes long — and, more importantly, almost two or three times that in a live setting.”
Yes, Brown knew how to get a party started and keep it going all night long. There’s no other music that makes me want to get up and dance as much as Go Go. I’m sure it's my love of Latin and African music that draws me to Go Go, since by Chuck’s own admission, he uses the Latin and African percussion sounds as a foundation for his invention.
After doing several stints in prison for robbery, Brown started working as a professional musician in the early 1960s with Jerry Butler and The Earls of Rhythm. In 1965, he joined the group Los Latinos, a band that played Top 40 music with a Latin flavor.
Brown, born Charles Louis Brown in Gaston, N.C., on Aug. 22, 1936, was raised in poverty by his mother, Lyla Louise Brown, a housekeeper. He never knew his father. Brown remembers: “We’d go to somebody’s house and [my mother] would say, ‘Please feed my child. Don’t worry about me. Just feed my child.’”
He may have been born poor, but he lived a rich, music-filled life that made the world of music a whole lot spicier. Thank you Godfather – and may you rest in peace.
Check out this precious clip from Brown’s interview at the National Visionary Leadership Project, an organization co-founded by Camille O. Cosby and Renee Poussaint.
Here’s “Bustin' Loose" -- Chuck's most popular hit:
You never know what your children will remember from their early years. I was surprised yesterday when Gigi was drawn to a Jimmy Scott video on Youtube that I was playing. “That’s so sad,” she said, and “he’s so old.”
“Yes, he is,” I told her, “but he’s really singing this song.”
The song was, “Slave to Love.” It’s the very song and performance that introduced me to Jimmy Scott in the late 90s. If you don’t know Scott’s music, you’re missing something powerful. He sings so effortlessly, with such conviction and feeling. It’s hard not to cry as you listen to him croon such songs as “Holding Back the Years,” “Sometimes I Feel Like a Motherless Child,” and of course, “Slave to Love.”
When the song ended, Gigi asked me what the singer’s name was. When I told her she screamed, “Jimmy Scott! Jimmy Scott?! Oh, my God.” Then she ran to the closet where we keep our CD collection to find one of his recordings, Bravo Profiles a Master: Jimmy Scott. I used to play Scott’s music to Gigi when she was an infant until she was about four, at bedtime to help her go to sleep.
“I remember Jimmy Scott. He’s a GREAT singer! I can’t believe that’s him...Wow."
At least she knows great singing when she hears it.
Scott, who has Kallmann’s syndrome, was only 4’ 11” until he was 37 — he then grew to be 5’7”. The disease prevented him from reaching puberty and left him with a contralto range that causes many to mistake his voice for that of a female. Lionel Hampton gave Scott the nickname “Little Jimmy Scott” because of his small build. Scott, born on July 17, 1925 in Cleveland, is now 86 years old.
In my opinion, he's one of the great ones.
This is telling: I have a folder labeled “Spiritual” in my email account. It was empty, but I’m purposefully putting some information in there now, like this for instance:
Would you give teachers permission to use corporal punishment (spanking, hitting, etc.) on your child in school if it were legal? I sure don't! It turns out that in 20 states, including North Carolina, the use of corporal punishment as a disciplinary measure, is still allowed!
The documentary film, The Board of Education, which is scheduled to be released sometime this year, examines the use of corporal punishment (spanking, hitting, etc.) in the U.S. public school system. Director Jared Abrams takes an in-depth and personal look at this controversial issue. In the film, Abrams actually returns to the school where he was hit as a child. Serving as script consultant is Javier Grillo-Marxuach, who has worked as a producer for such television shows as Lost, Medium, and Charmed.