From the Los Angeles Times:
"For Colored Girls" is not easy. Its poetry is hot and searing, its story an unbroken current of rage and pain and sex and abuse and solidarity and self and empowerment. Nine women — in screams, whispers and weeping — demand that you listen, that you don't look away, that you deal with the discomfort as they did.
A Powerful Chorus Harmonizing ‘Dark Phrases of Womanhood’
By MANOHLA DARGIS
New York Times
November 4, 2010
Mr. Perry is, it goes without saying, a maximalist, informed by theatrical traditions (from the church and his stage work on the chitlin’ circuit) and the golden age of Hollywood. He likes big moments, glamorous stars, swells of music and tears that fall like rain — and sometimes hail. For most of his career he has not been a good filmmaker, in terms of making beautiful pictures and putting those images into kinetic motion, though the same can be said of other name directors. He isn’t a visual stylist, certainly. His strengths lay elsewhere, including his work with performers, which over the course of his prolific career has only improved, as evidenced by his latest, “For Colored Girls,” a thunderous storm of a movie.
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